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Early on, Ulmer relocated to Detroit to form the progressive jazz combo Focus Novii.
A move to New York in the early '70s led to a gig at Minton's Playhouse, where he played with John Coltrane, Joe Henderson, Larry Young, and Rashied Ali.
The last surviving member of the first-generation swamp blues fraternity that includes Slim Harpo, Lightnin' Slim, and Lonesome Sundown, Lazy Lester, who plays a Gibson acoustic, is best known for killer cuts like "Ponderosa Stomp," "Patrol Wagon Blues," "I Hear You Knockin'" and "You're Gonna Ruin Me Baby." Armed with a harmonica and his trusty Gibson, Lester brings the spirit of Crowley, Louisiana and the musical gumbo of J. Miller's Excello Records genre-jumping recording sessions to life when he hits the stage.
A few years ago, Gibson issued twelve Scotty Moore signature guitars, a modified ES-295, one of which hangs in Memphis' Rock 'N' Soul Museum today.
After years of riding his funk-punk-jazz-melt-in-your-mind synthesis, Ulmer started laying down the blues, recording two phenomenal albums, Memphis Blood: The Sun Sessions and Birthright.
The best guitar slinger South Louisiana has to offer, Lil Buck Sinegal - whose weapon of choice is a Gibson ES-335 - honed his chops as an Excello session man and Clifton Chenier's longtime guitarist.
By the mid-1960s, Jones was playing alongside Clarence "Gatemouth" Brown on Hoss Allen's mind-blowing TV dance show "The!!!!
Beat"; soon after, he joined the King Casuals, who were signed by Brunswick Records in '68 and released a trio of singles, "It's Gonna Be Good," "Soul Poppin'" and a soulful rendition of "Purple Haze" that rocked the blues world.