Russia ermafrodita sexy flaga
so if it seems like it's an excessively macabre novel, it's because that's what the city wasa lot of sex (a lot of it) and a lot of death (even more death than sex).so if it seems like it's an excessively macabre novel, it's because that's what the city was(/is? this may explain the suddenness of the ending: there is no clean ending, no closure, no hope for peace; it's just what it at least that's what i think Singh was aiming for.speaking of sudden endings, i thought the end of Ram Rakha's chapter was also jarring.
I couldn't understand which was the fictional part and which were real historical events, it was too confusing.
Through it you witness the 600 years of history that has shaped this city - covering Mughals, War of 1857, 1984 Sikh pogrom, Untouchables, Timurids, Hazrat Nizamuddin and more, some squalid, some divine.
His candid, sentimental and unapologetic outpourings reach orgasmic heights in the chapters devoted to the uncouth, rude, pock-marked The preface declares the injecting of a lot of seminal fluid into the book - guaranteeing you the dirty old man (his sobriquet) experience, so what's not to like?
I have read a few historical fiction and I usually like them but in my opinion Singh failed and it's a pity because I have read and liked Train to Pakistan.
It could have been much better if the reader would have been able to discern among real historical events and fictional parts and if we could understand which parts were the author's personal opinions; but perhaps it's only my fault because I don't know a lot about the Mughal Empire. La premessa sembrava molto interessante: la storia di Delhi dall'Impero Moghul (ca. Si alternano capitoli dedicati al presente (in cui si parla solo di sesso tra il personaggio principale e una prostituta ermafrodita) a capitoli in cui si fa rinascere il passato attraverso la narrazione in prima persona di diversi personaggi.